Setting a price on carbon emissions was previously the cornerstone of the federal government's climate policy. Today, it's anything but.In its most recent budget, for example, the federal government outlines its climate priorities and the means it would employ to achieve them. Surprisingly, pollution pricing is rarely discussed. And when they do, they usually allude to the system that major industrial emitters confront rather than the one that individual Canadians face1.The government appears to be swiftly shifting away from market-based measures to reducing greenhouse gas emissions in favor of more focused initiatives such as hydrogen project subsidies, carbon capture and storage, and sustainable power generation. Budget 2023 may include the equivalent of $70 billion in tax-funded incentives over ten years.It is also enforcing harsher rules on gasoline suppliers and automobile sales. And there's more to come. The administration appears to be about to unveil the most dramatic break from efficient climate policy yet: an emissions cap for the oil and gas sector.This is a really awful concept.First, greenhouse gas emissions have the same impact on our climate independent of sector or place of origin. One tonne is the same as another.Imposing higher burdens on some activities but not others raises the cost of reducing emissions over what is necessary. Why spend $100 to avoid a tonne in one activity when you can avoid a similar tonne for $50 elsewhere? As a result, a cap would require emissions reductions at potentially high costs.
Hoskin would visit nearly a dozen different Canadian homes, moving about Ontario and Quebec before arriving in the "more cultured, more civilised" Vancouver. He became a Canadian citizen and continued to create books, each one more absurd than the last. Rampa allegedly flew as an air ambulance pilot in World War II, evaded capture and torture, and fled a prison camp near Hiroshima on the day the bomb was dropped. In Vancouver, Hoskin stayed in a West End hotel. According to his secretary's self-published memoir, he liked the waterfront vistas but found Vancouver difficult to navigate. He couldn't recreate The Third Eye's success; it had been difficult to find a home that could accommodate his cats, and health difficulties required the use of a wheelchair in an inhospitable metropolis. Hoskin became more reclusive as his writings expanded to include aliens, prophecies about future conflicts, and previously unreported escapades of Christ. Hoskin moved again, this ti...
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